Katana – ? Kuni – Yamato

This is a Naginata style blade mounted in Russo-Japanese mounts with a family Mon of crossed hawk feathers on the top of the hilt. The tang has Gold lacquered characters on both sides, called ” Kinpun Mei “. These signatures were often done by the Hon’ami  appraisers, Ringa & Kosan. The name has one character that is rubbed enough that I can not make it out. The second character is ” Kuni “, the other two on the reverse side signify ” Yamato “.   The blade length was shortened considerably and is now 24 inches along the cutting edge. The hamon is midare,  long waves and is in perfect polish. It also has horimono consisting of 3 & 1/2 inch grooves ( Koshi-Hi, Maru-Dome ) and a nice silver habaki. From the Ed Hollenbeck collection.

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Katana – Hizen no Kuni Junin Tadayoshi Saku – 1596 – 1632

This is a nice blade in full polish, mounted in WWII Shin-Gunto mounts. Attached on the top of the Tsuka are brown and blue tassels, signifying that the sword was carried by an Army Company grade officer ( Captain ). The blade has a gold foiled habaki and is signed, Katana mei; Hizen no Kuni Junin Tadayoshi Saku. The mounts are very clean and bright with an olive green saya. The blade is 24 & 7/16 inches along the cutting edge. Listed in Hawley’s as TAD286 with a 100 point rating.  More information about Tadayoshi and the school are exhibited here.

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Katana – Sukesada

This is a long blade of 27 & 1/4 inches along the cutting edge mounted in Company Officer Kyo-Gunto ( Russo-Japanese style ). It is in good polish, with a nice gunomi-midare hamon and with a gold foiled habaki. The tang has a two character signature – Suke Sada. This would date to the early Edo period.

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NAGINATA – 17th or 18th Century

This is a nice long Naginata from the Genroku period, around 1651- 1709. It is believed to be made by a smith from the Owari Seki Group, based on a Shinsa paper from Nippon Token Hozankai. It has a cut down tang with no signature remaining and a nagasa of 20 & 3/4 inches long. It shows a nice wavey hamon and tight hada with no flaws. It is stored in a shira saya and is in excellent condition with old polish. From the Ed Hollenbeck collection.

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Tachi – NOBUKUNI – Yamashiro Province – Late 14th Century

This is the first sword I purchased from the Ed Hollenbeck collection. It is in old shira saya and has Japanese writing on both sides of the saya. One side was written early and has the sign of a famous appraiser, Hon’ami Kosan . In short, it states that the sword was made by Nobu Kuni in Yamashiro province. It was appraised by Hon’ami with a value of 150 pieces of gold. The other side of the saya has a payer hoping for victory in “the Great Eastern Asia Holy war ” ( WWII ). Also written is the family name and the fact that the sword was given to the son for the war. This writing is of the period for WWII. The sword  was presented to Morihiro Ogawa ( special consultant for Japanese arms and armor, the Metropolitan Museum of Art, New York ) upon his request after viewing pictures of the sword. Ogawa-san verified that the blade was in fact made by Nobu Kuni in the 14th century and was most likely the 1st or 2nd generation. He also noted that the blade was shortened approximately six inches over it’s lifetime, had old polish but was ” still good enough to enjoy “.  All of  the hamon and boshi are still intact. Nobukuni is the founder of the YAMASHIRO NOBUKUNI School. I have included pictures of letters that I sent to the Metropolitan Museum of Art and to Sotheby’s Auction House in NYC with an album of pictures of the blade and saya gaki. After having Ogawa – San view and authenticate the sword he stated that I should take it to Sotheby’s for a current appraisal for value. In April, 1995 I saw Masame Kodama at Sotheby’s. He concurred with Ogawa and stated that the sword was Nobu Kuni, Yamashiro Province, Nambokucho era and probably first generation. He also said that the sword was shortened about six inches over time.  The blade has a suguha hamon and is currently 26 & 1/2 inches in length, along the cutting edge.

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Katana by Yoshitsugu – 1661 – 1681, YOS936 ( Hawleys )

This is a beautiful long, slim blade with a deep curve. The hamon is a beautiful Choji or Gunome Midare. The tang is signed ” Higo no Kami Hojoji Tachibana Yoshitsugu “. This Smith is listed in Hawleys, YOS396, as having worked in 1661 – 1681. He is rated 80 points. Yoshitsugu worked in the Satsuma province and was taught the art of sword making by Kunimasa of the Hojoji school. The sword measures; 26 5/8″ cutting edge, with a 7 7/8” tang and is in good polish with no flaws. It is housed in an old shira saya.

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Samuel Welsh – 1807

SOLD

This is a large horn with nice honey colored patina. The neck is recessed, bordered with a saw tooth design and boldly signed just beneath ” Samuel Welsh  1807 “. The rest of the body of the horn is plain. The original stopper is still present and a remnant of the leather strap is till around the neck as well at the butt end in two holes. This horn along with the James Shaw horn were purchased from the Rockwell Gardiner estate.

    

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The Palmira Horn – 1807

SOLD

This beautifully carved horn has red dye in the engraving, giving it a wonderful contrast to the honey patina. There is a town engraved with a flag flying ( American flag ) and labeled ” PALMIRA “.  Also on the side of the town is a large carving of a man and to the left of the town is the date, 1807,  under a cloud like panel containing a set of initials. There is also a large pair of flowers on the horn and each border has rows of leaves or flower petals. The butt of the horn is nicely carved hardwood,  secured to the horn with numerous brads. Palmyra N. Y. is located just 20 miles southeast of Rochester. NY.  Note; The census of 1800 show 986 inhabitants in the Town of Palmyra. At the time of this first meeting was called; Tolland was the name used. Since this name was not particularly acceptable to the people, a meeting some time between March and June, 1797 was called to change the name to impress the “school marm”. Daniel Sawyer proposed Palmyra after the Ancient Syrian City (he had just studied history). This selection was accepted and the town progressed from Swift’s Landing (unofficial) to Tolland to Palmyra (however, for the first year, the town board minutes spell it as Palmira) as it is spelled on the horn. In 1830, Joseph Smith was an American religious leader and founder of Mormonism. When he was twenty-four, Smith published the Book of Mormon at the printing press of local publisher E. B. Grandin in Palmyra. The erie canal also passes thru the town of Palmyra and was a major source of income to the town from 1825 – 1853.

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The Redcoat’s Brown Bess

The Redcoat's Brown BessWhile researching the Brown Bess musket, I came across a great site and article by George Neumann entitled “The Redcoat’s Brown Bess” on American Rifleman.

Mr. Neumann does an excellent job of detailing the history of this legendary  weapon, with descriptions of each pattern  for the gun along with their dates of use. A great timeline is given to plot out the evolution of the Brown Bess, with pictures depicting each model.

The Brown Bess’s Role in the American Revolution:

As with any country suddenly involved in a war, the American Colonies in 1775 had to acquire a great number of arms quickly. Their immediate supply was already in the militia system of each state that required men from 16 to 60 years of age to own a longarm plus a bladed secondary arm such as a sword, bayonet or belt axe. Those and other flintlocks they pressed into service included a broad mixture of various locally made hunting and military designs using assorted old and new parts, commercial arms contracted from private makers, inventories of provincial arsenals, confiscated Loyalist arms, state purchases of spare guns from civilians, surplus supplies from European dealers and muskets issued here by the British during prior wars. These latter arms were largely obsolete and repaired arms, and in many cases were vintage Dutch, Liege and other European cast-offs. Thus, the few Brown Besses initially in American hands were usually worn versions of the early Long Land 1730 and 1742 designs, which were later supplemented by at least 17,000 more recent patterns captured during the conflict (Moller, Ref. 5).

via The Redcoat’s Brown Bess.

An excerpt on George C. Neumann from the PBS documentary, Liberty! The American Revolution”:

George C. Neumann has authored several books on the subject of revolutionary weaponry. A businessman but equally a historian by avocation, he is a past commander of the Brigade of the American Revolution, fellow of the Company of Military Historians and a writer whose articles have appeared in every major publication devoted to arms and history. His collection of revolutionary weaponry, one of the most extensive in existence, is now in the hands of the Valley Forge Museum.

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Model 1774 French Charleyville Musket

This piece is a French model 1774 Charleyville musket and was modified by an American soldier during it’s use in the Revolutionary war. The barrel bands were removed from the stock and a piece of wood was added to the forestock and the barrel was then pin fastened. The comb of the stock was shaved down to help facilitate aiming for one of the users of this musket. It has a 44 & 1/2″ barrel, marked DV76. Inside the original flintlock are the initials; LM and on the side plate are N S. The lock is clearly marked ” Charleyville “. There are initals on the right side of the butt ” BF” and next to that is a circle brand. On the left side of the butt there are another set of initials inscribed, “TB”. This musket was obviously used by more than one patriot throughout the war and it is still ready to take a load of powder and be used again.

 

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